- Messages
- 2,319
- Reaction score
- 427
- Points
- 83
Despite that flaw, most of his solo albums have at least one memorable song (whether mellow or not), despite the change in the ratio of memorable:formula songs after 1977. Closer to the recent day, there is a bigger tendency for his albums to be overloaded with ear candy and sound lifeless. Worse, he sometimes sounds like a guest on his own album, playing weak solos and ceding the foreground to electronics.
Pilgrim marks for me the nadir of his solo career. It is a perfect storm, with the following components:
* Not a single one of these songs is memorable, everything is totally slick and faceless.
* All of the riffs/melodies are recycled, mediocre or apparently focus-grouped.
* The tempo is super slow on every song.
* All the lyrics are impersonal and clich?d. Yes, even when dealing with personal issues.
* The production is excessively Adult Contemporary-oriented.
* Everything's loaded down with an overdose of synths, keyboards, strings and cheesy female backing vocals.
* Overdone sentimentality.
* Everything sounds half-hearted, lazy.
In short, the record comes slathered in a massive, diabetes-inducing amount of Narm and goo. The entire record is drained of life and colour until it becomes a sonic wallpaper: it's great if you want to fall asleep, but actually listening to it is a huge chore.
The issues can be broken down even further into the following:
The vocals: bad. Clapton sings every song in a very smooth, flat manner. Yes, even the ones meant to exorcise his personal demons. Even the blues songs that require at least a certain amount of grit and realism, "Going Down Slow" and "Sick and Tired" are sung lifelessly. The latter in particular should elicit laughter as Clapton threatens to blow a woman's brains out despite sounding like a total pussy.
However, there is the added annoyance of Chyna, who adds backing vocals to almost all of the songs. Her vocals are very saccharine and overwrought, and at some points overdubbed to sound like a sort of gospel choir, adding an extra dimension of unpleasantness to the material.
The lyrics: horrendous, torurously clich?d that sounds machine-generated.
The first lyrics heard on the album go as follows:
"Sailing down behind the sun, waiting for my prince to come.
Praying for the healing rain to restore my soul again.
Just a toerag on the run. How did I get here" What have I done"
When will all my hopes arrive"
How will I know him" When I look in my father's eyes."
This sets the benchmark of originality, quality and human interest for the album. Most of the lyrics that follow are trite and overdone, to the point of being embarassing.
The very next song, "River of Tears", somehow manages to take a plunge quality-wise, especially in its refrain:
"Lord, how long have I got to keep on running,
Seven hours, seven days or seven years"
All I know is, since you've been gone
I feel like I'm drowning in a river,
Drowning in a river of tears.
Drowning in a river.
Feel like I'm drowning,
Drowning in a river."
No subtlety, and completely literal to boot.
"Fall Like Rain" has horrifically repetitive lyrics:
"Tell me why did I fall in love with you"
Tell me why did I fall in love with you"
Tore me all to pieces cut me half in two.
Tell me why did I fall in love with you"
Tell me why do my tears fall like rain" [x2]
Tore me all to pieces nothing else remains.
Tell me why do my tears fall like rain"
Worry worry worry;
Worry all day long.
Don't know where I'm going;
Don't know right from wrong.
Tell me why, tell me why. [x2]
Tell me why did I fall in love with you" [x2]
Tore me all to pieces, cut me half in two.
Tell me why did I fall in love with you"
Tell me why do my tears fall like rain" [x2]
Tore me all to pieces, nothing else remains.
Tell me why do my tears fall like rain"
Fall like rain, fall like rain. [x4]"
And the rest of the songs have other issues, from repetition, bad metaphors ("Pilgrim"), insincerity ("One Chance)", more triteness ("Circus", "Needs His Woman", "She's Gone"), platitudes ("You Were There"), insincerity ("One Chance", "Needs His Woman"), pretension "("Inside of Me", complete with shitty monologue by Clapton's daughter) and misogyny in "Sick and Tired".
The music/performance: But, hey, everyone knows countless examples of songs with bad lyrics that are saved by the backing music, or an energetic performance.
Pilgrim is not an example.
The main problem with the music is its total lack of teeth, life, colour or anything that isn't totally bland and middle of the road. All arrangements are:
* mechanical, watered down with excessive keyboards, strings, electronics and backing vocals (yes, even the blues numbers!).
* mindless, repetitive and totally straightjacketed.
* completely lacking in variety. There is absolutely no variety on any song, just constant, wearying repetition and endless adult contemporary noodling.
* either slow or midtempo.
The material: does not rock in any way whatsoever. In fact, it's more Adult Contemporary/bad R&B than anything approaching "rock".
There are four kinds of songs here:
* funk-influenced R&B, heavy on drum machines ("Pilgrim", "One Chance", "She's Gone", "Inside of Me")
* incredibly slow Adult Contemporary ("River of Tears", "Broken Hearted", "You Were There")
* moderately slow Adult Contemporary ("My Father's Eyes", "Needs His Woman")
* covers (both "Going Down Slow" and "Born in Time" are castrated and defanged)
Needless to say, none of them work.
However, it's the incredibly slow AC category of songs that form the album's worst material. River of Tears has a main melody played on a MIDI fretless bass and some machine-generated drumming. The arrangement itself is quite minimal, with some background strings and more slight solos. And it takes 2 minutes for any singing to start. If you're not numbed already by the interminable non-melody, it doesn't get better with lyrics. In fact, it gets worse. The song's oppressive arrangement stays the same, never changing at all except for some strings in the refrain. And to top it all off, it just shuffles like a zombie for 7 motherfucking minutes. "Boring" does not even begin to describe it.
Broken Hearted is the worst song on the disc thanks to its insane song length (7 minutes and then some), boring music, recycled melodies and all its super-sentimental clich?s. But it takes the cake thanks to Paul Brady's insipid tin-whistle, and how he and Clapton noodle routinely for the last two minutes of the song.
There are exactly two detours, and both of them aren't worthwhile. Fall Like Rain is a perfunctory attempt at something resembling "upbeat". There are some real drums on the song, acoustic guitars are strummed in the background, and there is an electric guitar delivering the main hook. But again, this all sounds half-hearted and half-asleep, and bizarrely, Clapton's singing on this song reminds me of Liam Gallagher. Despite all that, it's probably the best song on the album.
On the other hand, Sick and Tired is a perfunctory blues number. Its fuzz guitars again sound sanitized for the AC audience, drum machines are employed to predictably lame effect, and there is more organ noodling and pointless strings in the background. The song has no edge, and again, Clapton threatening to shoot a woman's brains out on this album should induce laughter for the listener.
The album's final song, Inside of Me begins with more hip-hop drumloops and wah'ed guitars. We get some variety at 0:20 with what sounds like a bass solo, but that quickly ends, and it's back to brain-deadening repetition, especially with the highly clich'd violin melody (3 notes at best). And at 4:38 a spoken monologue is inserted over the song's fadeout. It's pretentious and excruciating.
Tracklist for Pilgrim:
1. My Father's Eyes
2. River of Tears
3. Pilgrim
4. Broken Hearted
5. One Chance
6. Circus
7. Going Down Slow
8. Fall Like Rain
9. Born in Time
10. Sick & Tired
11. Needs His Woman
12. She's Gone
13. You Were There
14. Inside of Me
Pilgrim marks for me the nadir of his solo career. It is a perfect storm, with the following components:
* Not a single one of these songs is memorable, everything is totally slick and faceless.
* All of the riffs/melodies are recycled, mediocre or apparently focus-grouped.
* The tempo is super slow on every song.
* All the lyrics are impersonal and clich?d. Yes, even when dealing with personal issues.
* The production is excessively Adult Contemporary-oriented.
* Everything's loaded down with an overdose of synths, keyboards, strings and cheesy female backing vocals.
* Overdone sentimentality.
* Everything sounds half-hearted, lazy.
In short, the record comes slathered in a massive, diabetes-inducing amount of Narm and goo. The entire record is drained of life and colour until it becomes a sonic wallpaper: it's great if you want to fall asleep, but actually listening to it is a huge chore.
The issues can be broken down even further into the following:
The vocals: bad. Clapton sings every song in a very smooth, flat manner. Yes, even the ones meant to exorcise his personal demons. Even the blues songs that require at least a certain amount of grit and realism, "Going Down Slow" and "Sick and Tired" are sung lifelessly. The latter in particular should elicit laughter as Clapton threatens to blow a woman's brains out despite sounding like a total pussy.
However, there is the added annoyance of Chyna, who adds backing vocals to almost all of the songs. Her vocals are very saccharine and overwrought, and at some points overdubbed to sound like a sort of gospel choir, adding an extra dimension of unpleasantness to the material.
The lyrics: horrendous, torurously clich?d that sounds machine-generated.
The first lyrics heard on the album go as follows:
"Sailing down behind the sun, waiting for my prince to come.
Praying for the healing rain to restore my soul again.
Just a toerag on the run. How did I get here" What have I done"
When will all my hopes arrive"
How will I know him" When I look in my father's eyes."
This sets the benchmark of originality, quality and human interest for the album. Most of the lyrics that follow are trite and overdone, to the point of being embarassing.
The very next song, "River of Tears", somehow manages to take a plunge quality-wise, especially in its refrain:
"Lord, how long have I got to keep on running,
Seven hours, seven days or seven years"
All I know is, since you've been gone
I feel like I'm drowning in a river,
Drowning in a river of tears.
Drowning in a river.
Feel like I'm drowning,
Drowning in a river."
No subtlety, and completely literal to boot.
"Fall Like Rain" has horrifically repetitive lyrics:
"Tell me why did I fall in love with you"
Tell me why did I fall in love with you"
Tore me all to pieces cut me half in two.
Tell me why did I fall in love with you"
Tell me why do my tears fall like rain" [x2]
Tore me all to pieces nothing else remains.
Tell me why do my tears fall like rain"
Worry worry worry;
Worry all day long.
Don't know where I'm going;
Don't know right from wrong.
Tell me why, tell me why. [x2]
Tell me why did I fall in love with you" [x2]
Tore me all to pieces, cut me half in two.
Tell me why did I fall in love with you"
Tell me why do my tears fall like rain" [x2]
Tore me all to pieces, nothing else remains.
Tell me why do my tears fall like rain"
Fall like rain, fall like rain. [x4]"
And the rest of the songs have other issues, from repetition, bad metaphors ("Pilgrim"), insincerity ("One Chance)", more triteness ("Circus", "Needs His Woman", "She's Gone"), platitudes ("You Were There"), insincerity ("One Chance", "Needs His Woman"), pretension "("Inside of Me", complete with shitty monologue by Clapton's daughter) and misogyny in "Sick and Tired".
The music/performance: But, hey, everyone knows countless examples of songs with bad lyrics that are saved by the backing music, or an energetic performance.
Pilgrim is not an example.
The main problem with the music is its total lack of teeth, life, colour or anything that isn't totally bland and middle of the road. All arrangements are:
* mechanical, watered down with excessive keyboards, strings, electronics and backing vocals (yes, even the blues numbers!).
* mindless, repetitive and totally straightjacketed.
* completely lacking in variety. There is absolutely no variety on any song, just constant, wearying repetition and endless adult contemporary noodling.
* either slow or midtempo.
The material: does not rock in any way whatsoever. In fact, it's more Adult Contemporary/bad R&B than anything approaching "rock".
There are four kinds of songs here:
* funk-influenced R&B, heavy on drum machines ("Pilgrim", "One Chance", "She's Gone", "Inside of Me")
* incredibly slow Adult Contemporary ("River of Tears", "Broken Hearted", "You Were There")
* moderately slow Adult Contemporary ("My Father's Eyes", "Needs His Woman")
* covers (both "Going Down Slow" and "Born in Time" are castrated and defanged)
Needless to say, none of them work.
However, it's the incredibly slow AC category of songs that form the album's worst material. River of Tears has a main melody played on a MIDI fretless bass and some machine-generated drumming. The arrangement itself is quite minimal, with some background strings and more slight solos. And it takes 2 minutes for any singing to start. If you're not numbed already by the interminable non-melody, it doesn't get better with lyrics. In fact, it gets worse. The song's oppressive arrangement stays the same, never changing at all except for some strings in the refrain. And to top it all off, it just shuffles like a zombie for 7 motherfucking minutes. "Boring" does not even begin to describe it.
Broken Hearted is the worst song on the disc thanks to its insane song length (7 minutes and then some), boring music, recycled melodies and all its super-sentimental clich?s. But it takes the cake thanks to Paul Brady's insipid tin-whistle, and how he and Clapton noodle routinely for the last two minutes of the song.
There are exactly two detours, and both of them aren't worthwhile. Fall Like Rain is a perfunctory attempt at something resembling "upbeat". There are some real drums on the song, acoustic guitars are strummed in the background, and there is an electric guitar delivering the main hook. But again, this all sounds half-hearted and half-asleep, and bizarrely, Clapton's singing on this song reminds me of Liam Gallagher. Despite all that, it's probably the best song on the album.
On the other hand, Sick and Tired is a perfunctory blues number. Its fuzz guitars again sound sanitized for the AC audience, drum machines are employed to predictably lame effect, and there is more organ noodling and pointless strings in the background. The song has no edge, and again, Clapton threatening to shoot a woman's brains out on this album should induce laughter for the listener.
The album's final song, Inside of Me begins with more hip-hop drumloops and wah'ed guitars. We get some variety at 0:20 with what sounds like a bass solo, but that quickly ends, and it's back to brain-deadening repetition, especially with the highly clich'd violin melody (3 notes at best). And at 4:38 a spoken monologue is inserted over the song's fadeout. It's pretentious and excruciating.
Tracklist for Pilgrim:
1. My Father's Eyes
2. River of Tears
3. Pilgrim
4. Broken Hearted
5. One Chance
6. Circus
7. Going Down Slow
8. Fall Like Rain
9. Born in Time
10. Sick & Tired
11. Needs His Woman
12. She's Gone
13. You Were There
14. Inside of Me